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PTDC0001Manchester Arena has announced that it will be re-opening on Saturday 9th September with a massive benefit concert, which will raise funds for the Manchester Memorial Fund.

Those confirmed so far are:

Noel Gallagher’s High Flying Birds

Courteneers

Blossoms

Rick Astley

Tony Walsh/Longfella

Acts are still being announced and tickets will go on sale at 9am on Thursday 17th August. You can find out more at their website. 

 

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PTDC0003I booked today off work in order to make a pilgrimage to the Working Class Movement Library, along with David Wilkinson, to see Dave Randall talk about his book Sound System: The Political Power Of Music at the Working Class Movement Library in Salford.

Whilst walking through Piccadilly, I was struck by a piece of street art on the pavement that a Canadian visitor had left.

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I was particularly struck by the nod to Alphonse Mucha and Art Nouveau, as it’s a new development in post Arena bombing murals/artwork, one that I found equally as striking as the recently encountered Stockport Worker Bee.

Market Street was busy, as always, in the clammy heat and I weaved and dodged my way through the usual blend of surreal street theatre and miss-en-scene. This included a middle aged man in a police costume with a boom box who, despite not seeming to be doing anything, had drawn a crowd of curious teenagers. There was also an Ed Sheeran style singer/songwriter who had attracted a very enthusiastic man with a huge rucksack, who was doing a variation of the Bez dance.

At the WCML, Dave Randall was introduced by the excellent Maxine Peake, and quickly proved to be a very engaging and confident (in the best sense) speaker. He clearly has a wide range of knowledge about the whole area of music, politics and protest to draw upon and is coming at it from the point of view of a musician and activist, rather than an academic. He has a global approach and his talk touched on the history of Carnival in Tobego and Trinidad as well as the protest music of the Arab Spring, I was also pleased to discover that his historical approach runs over centuries rather than decades, meaning he is looking far beyond the well trod Woody Guthrie – The Clash – The End path. I like the fact that he’s not just talking about how protest movements have used music, or how the dispossessed have used music, he’s also talking about propaganda and how the state has co opted and used music.

The Q&A went well and he got some interesting questions from the audience, covering a number of angles from ‘Can music without lyrics be political?’ via a series of debates around jazz, songs sung today at protests that have travelled from one protest area to another (Anonymous to Anti-Fracking via ‘We Are The 99%’. ‘Build a Bonfire’, ‘Whose Strets? Our Streets!’ and the imaginative recent use of the Benny Hill theme to see off the EDL were not mentioned) all sorts. I think the WCML audience can be a tough crowd sometimes, but they seemed won over by Dave, and he seemed equally enthused by the audience, so the energy was really good.

He got mobbed for books afterwards, which is always a good sign.

After tea and biscuits, it was time to venture back through the increasingly sultry Salford streets into muggy Manchester to get the bus back to Stockport.

 

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diary

On Saturday 15th July, at Stockport Quaker House, Stockport For Peace and Stand Up To Racism Stockport will be holding a workshop on the theme of ‘Having Difficult Conversations Around Migration’. The event is held in conjunction with Hope Not Hate, and runs from 10am – 3pm.

On Wednesday 19th July, Dave Randall will be talking about his new book ‘Sound System: The Political Power Of Music’ at the Working Class Movement Library between 2pm and 3pm.

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Located just past the junction of Belmont Way and Wellington Road North. Once again, my camera is displaying completely the wrong date on it.

 

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It’s occurred to me this week that, while the Manchester worker bee has become much more widely known in the past month, many people may not be familiar with the history of the bee.

I did consider writing a blog post about it, but I figured it was highly likely that such a post would have already been written and that it would just be a case of looking for the right one.

In a nice surprise, I found the perfect piece courtesy of friend of Too Late For Cake, Natalie Bradbury, writing for Creative Tourist on this occasion. The piece (published in early 2013) provides you with an overall history of Manchester’s civic bond with the bee, but doesn’t touch on the cultural side such as Elbow’s song ‘Lost Worker Bee’, (which was, after all, not released until 2015) or the worker bee tattoos, which were very definitely A Thing even before the Arena bombing in May. (A casual trawl of tattoo parlour Instagrams in the Manchester area will back this up.) In the wake of the bombing, street art has started to appear, featuring the bees, and you can see pictures of some of these pieces here.

Transport For Greater Manchester meanwhile, in a very touching video, have unveiled The Spirit Of Manchester, a dignified and thoughtful response to the Arena bombing.

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PTDC0001Dear London, thinking of you, love Manchester

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PTDC0001I spotted this poster up on the barriers erected around the building work going on opposite Manchester Apollo on Stockport Road.

I actually took it at 25 past 7, not 25 past 6, but I haven’t adjusted the time on my camera yet for British Summertime.

 

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