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PTDC0003I booked today off work in order to make a pilgrimage to the Working Class Movement Library, along with David Wilkinson, to see Dave Randall talk about his book Sound System: The Political Power Of Music at the Working Class Movement Library in Salford.

Whilst walking through Piccadilly, I was struck by a piece of street art on the pavement that a Canadian visitor had left.

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I was particularly struck by the nod to Alphonse Mucha and Art Nouveau, as it’s a new development in post Arena bombing murals/artwork, one that I found equally as striking as the recently encountered Stockport Worker Bee.

Market Street was busy, as always, in the clammy heat and I weaved and dodged my way through the usual blend of surreal street theatre and miss-en-scene. This included a middle aged man in a police costume with a boom box who, despite not seeming to be doing anything, had drawn a crowd of curious teenagers. There was also an Ed Sheeran style singer/songwriter who had attracted a very enthusiastic man with a huge rucksack, who was doing a variation of the Bez dance.

At the WCML, Dave Randall was introduced by the excellent Maxine Peake, and quickly proved to be a very engaging and confident (in the best sense) speaker. He clearly has a wide range of knowledge about the whole area of music, politics and protest to draw upon and is coming at it from the point of view of a musician and activist, rather than an academic. He has a global approach and his talk touched on the history of Carnival in Tobego and Trinidad as well as the protest music of the Arab Spring, I was also pleased to discover that his historical approach runs over centuries rather than decades, meaning he is looking far beyond the well trod Woody Guthrie – The Clash – The End path. I like the fact that he’s not just talking about how protest movements have used music, or how the dispossessed have used music, he’s also talking about propaganda and how the state has co opted and used music.

The Q&A went well and he got some interesting questions from the audience, covering a number of angles from ‘Can music without lyrics be political?’ via a series of debates around jazz, songs sung today at protests that have travelled from one protest area to another (Anonymous to Anti-Fracking via ‘We Are The 99%’. ‘Build a Bonfire’, ‘Whose Strets? Our Streets!’ and the imaginative recent use of the Benny Hill theme to see off the EDL were not mentioned) all sorts. I think the WCML audience can be a tough crowd sometimes, but they seemed won over by Dave, and he seemed equally enthused by the audience, so the energy was really good.

He got mobbed for books afterwards, which is always a good sign.

After tea and biscuits, it was time to venture back through the increasingly sultry Salford streets into muggy Manchester to get the bus back to Stockport.

 

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With thanks to Manchester Histories Festival:

“The historic Whitworth Street building that is home to The Twisted Wheel night club, often dubbed ‘the Birthplace of Northern Soul’, is earmarked for demolition in the New Year. On 9 December, a mods farewell ride past provided the opportunity to pay tribute to the legendary venue, and to say a fitting goodbye.”

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